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If you ever wanted to know how to completely kill the sales potential of the PC version of your game in an entire region by encouraging piracy… well, this is how. Thanks for the lesson, Sony.
It’s still pretty cool to see that people are paying attention to Broken Sword again. I get sad when I hear people older than me say the Wii and DS Director’s Cuts of The Shadow of the Templars is the first time they’ve heard of the series. Just cast Tim Robbins as George Stobbart and Audrey Tautou (shh! no, that similarly themed movie that she was just in… yeah, that didn’t really happen) as Nico Collard and I’m on board.
Overgrowth’s dev tools are pretty impressive and all (seriously, go watch some of their other videos on GameTrailers), but this video in particular is great because it brings the funny. This video’s worth a look whether you’re interested in the tools or not. Bonus, if you are!
That’s what I’ve been trying to tell you!
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Dear Billy is the second of three, three-issue historical-fiction comics that Garth Ennis has written for his “Battlefields” series. Published by Dynamite Entertainment, Dear Billy features Peter Snjeberg on page-to-page art, with cover art by John Cassaday and Gary Leach.
Dear Billy is a story set during World War 2 and narrated by its protagonist Carrie Sutton in the form of a letter. Sombre pencils from Peter Snejbjerg do well to set the tone for Dear Billy as Carrie tells the tale of her first-hand experiences of the hardship of war, not as a soldier or a lonely wife or girlfriend back home, but as a survivor. She tells the story of her silent suffering, her loneliness, her vengeance, her shame, her love, and of Britishness.
I don’t have much more to add in the way of personal commentary on Dear Billy. As was the case with The Night Witches (whose story is unrelated to Dear Billy’s, by the way), Garth Ennis has not disappointed me with a war story of his yet. One thing I will say is that I’d be hard pressed to name a book that I’ve read wherein its characters are drawn with such deliberately chilling facial expressions. I may give DC’s The Mighty another try after seeing Peter Snejbjerg’s work in Dear Billy.
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The Kyoto Connection is an Argentine band who create music they describe as “a sweet mix of electronic music with traditional japanese sounds”. A short documentary about the group can be seen on YouTube. This song, “Painting With Lights”, along with their other music, is available for free under Creative Commons at the band’s website TheKyotoConnection.com.
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This could be a blessing in disguise for the Witcher franchise. If you’ve checked out our forum lately (hey, check out our forum!) you might have seen that I’ve been playing through The Witcher on PC. As I play I’m trying to evaluate whether or not I think the RPG playing console audience would be receptive. Much of the game is designed with old-school CRPG ideals in mind that console players may not understand. I’ve been afraid that it would flop. It’s unfortunate that it’s been canceled for financial reasons, but still, it may be a good thing for the brand, much as the cancellation of the Xbox 360 version of World in Conflict was.
And it’s no joke. Not just a sampling, it’s the full game soundtrack. Pretty good music here, check it out. I haven’t listened to it all yet, but I’m keeping my ears open for an AudioSurf video candidate. We’ll see.
Yay! If you haven’t checked out Opera lately, you really should. Opera is currently my preferred browser and has been — for the most part — ever since it went ad-supported (don’t worry, that was about 9 years ago – it’s all free now). Version 9 is a thing of beauty and the alpha builds of version 10 are showing promise as well.
Surprise. Now get off Demigod’s back. I mean, the Rook can dish it out, but he can’t take it.
This trailer appeals to my sensibilities. Hard.
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Come to Daddy, DoSu
I was in the middle of doing the DAA for April and had to start over, just couldn’t bring myself to do it on that artist. Then someone recomended Aphex Twin and I went bat-shit crazy and hit myself for not doing them sooner. So here’s a video by Aphex Twin: Come to Daddy, and a little link to their site.